Your brain is keeping secrets from you – and that’s a good thing.
One of the tips I give student writers is to start with a
list – to come up with a catalog of details about whatever the subject is and
then to pare that list down to the most important details as we write and
revise. I always start with more
information than I am going to end up using is a mantra I offer.
Poetry is a natural genre for this practice of precise and
concise writing – but any and all preconceived communication can benefit from
editing. If I had to boil all my teaching into a single sentence I would say: it is the prioritization of information.
That’s it in a nutshell – thank you good night, try the fish I’ll be here all
week…
I’m a fan of brain science books; a couple of my favorites
are Incognito by David Engleman and Thinking Fast and Slow by
Daniel Kahnman among others. Anyway somewhere along the way (most likely in one
of the aforementioned books) I picked up the notion that one of our brains most
important functions is deciphering meaning from the onslaught of continual data
avalanching down on us from all directions. This along with the ability to
learn patterns and sequences and then to internalize them into shorthand is
what allows us to function in the world without being reduced to quivering
mounds of protoplasm either too overwhelmed by stimuli or paralyzed by the
uncountable number of steps necessary to open a jar of pickles.
Just use the
important stuff.
So while details are important to good image driven writing
– distilling those details to the strongest is what makes for potent
communication. Get rid of the unnecessary. Reportedly after marveling at
Michelangelo’s statue of Goliath-vanquishing David, the Pope asked the
sculptor, “How do you know what to cut away?” Michelangelo’s reply? “It’s simple. I just remove
everything that doesn’t look like David.”
Editing and revision are your friends.
There
is such a thing as too much information (and I’m not talking about a Kim
Kardashian
video.) We do not want to overwhelm our readers or listeners minds into stasis.
But
we need to have something to pare down so we have to start with a glut of
information – notes – details – facts - descriptions and then winnow them down
as we revise.
You can’t pick the best option without options. Easy as that.
Remember an overabundance can be as debilitating as lack. Let’s not infect our audience with David Lynch’s fictional malady, Bozeman's Simplex. Make sure your details deserve the space they are taking up on your page or in your talk.
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